Duffer Brothers Depart Netflix to Create Films at Paramount

Matt and Ross Duffer, the creators of the acclaimed series Stranger Things, will transition from Netflix to Paramount Pictures as their production company gears up for future projects. This change comes as the brothers seek to make a greater impact in the film industry, focusing on theatrical releases rather than the streaming model that Netflix employs.

The decision has been confirmed by industry journalist Matt Belloni, following reports that the Duffer brothers were exploring opportunities beyond their Netflix contract. Their move aligns with a desire to produce films that can reach audiences in cinemas, a strategy that Netflix has been hesitant to embrace unless the projects are tied to major awards potential or have significant public demand.

Interestingly, this marks a significant shift for Netflix, which has faced a notable talent departure after its recent partnership with Skydance. The Duffer brothers, who have only directed one film to date, the 2015 psychological thriller Hidden, are now expected to create high-profile tentpole movies, a genre that is a staple for Paramount.

Future Projects and Ongoing Netflix Presence

Despite leaving Netflix, the Duffer brothers will maintain a presence on the platform for the time being. Their production company, Upside Down Productions, is currently developing an animated prequel to Stranger Things, titled Tales of 85, which is scheduled for release in 2026. Additionally, they are working on a second, currently unannounced spinoff.

Apart from Stranger Things, the brothers are executive producing two non-Stranger Things series: The Boroughs and Something Very Bad is Going to Happen, which are also set to premiere in 2026. The final season of Stranger Things will release in three parts, starting on November 26, 2023, with subsequent episodes coming out on December 25 and December 31.

As the Duffer brothers embark on this new chapter with Paramount, the landscape of television and film continues to evolve, reflecting the changing dynamics of content consumption and production in an increasingly competitive marketplace. Their transition highlights the ongoing trend of creators seeking greater creative freedoms and opportunities for cinematic storytelling.