Zurich Opernhaus Launches Season with Dazzling “Der Rosenkavalier”

The Opernhaus Zürich commenced its 2025-26 season on September 21, 2025, with a vibrant new production of Richard Strauss’s classic opera, “Der Rosenkavalier.” This premiere marks the beginning of General Director Mattias Schulz’s tenure, and initial reactions suggest a promising start for his leadership.

Innovative Production Design

Directed by Lydia Steier, the production is characterized by its imaginative set design, which blends various time periods and fantastical elements. As Steier articulated in her director’s statement, the production adheres to its own dreamlike logic. The first act unfolds in a visually striking environment reminiscent of late Rococo under Maria Theresa, featuring a fluid blue wall that transforms throughout the performance.

From the onset, the set creates a sense of entrapment for the characters. For instance, as the character of the Marshallin reflects on aging, the wall shifts to suggest her confinement within societal expectations. The act culminates with imagery of skulls, hinting at the inescapable fate awaiting the characters. These transitions are executed smoothly, enhancing rather than distracting from the narrative.

The second act transports the audience to a post-Napoleonic era within the Faninal family residence. A large, rotating staircase amplifies the dreamlike atmosphere between Octavian and Sophie, evoking fairy-tale imagery. The third act diverges notably, merging modernity with Rococo style, featuring a red set adorned with blinking images and a scaffold-like structure that becomes pivotal in the unfolding drama.

Steier’s direction also cleverly incorporates costumes that reflect character development. The Marshallin begins with a flowing dress symbolizing youthfulness, gradually donning more rigid attire that signifies her societal constraints. The eclectic mix of costumes, from modern police to 1930s fashion, contributes to the unpredictable and engaging nature of the production.

Dynamic Performances

In the role of Marshallin, Diana Damrau delivered a noteworthy performance, showcasing her evolution from a youthful character to a more mature figure. Damrau’s portrayal highlights her transition from playing Sophie earlier in her career to embracing the complexities of the Marshallin. Her initial girlish portrayal transforms into a more regal presence, culminating in a poignant expression of longing and acceptance of fate.

With a light tone and rhythmic clarity, Damrau captivates during her exchanges with Baron Ochs, portrayed by Günther Groissböck. Even as the narrative unfolds with elements of comedy, Groissböck maintains a commanding presence, embodying the buffoon-like qualities of Ochs while also evoking moments of authority and poignancy. His interactions are marked by physicality and vocal dexterity, creating a rich comedic layer to the performance.

As Octavian, Angela Brower brings depth to her character, transitioning from youthful enthusiasm to emotional complexity. Brower’s vocal interpretation is both powerful and nuanced, particularly evident during the duet with Damrau. Her portrayal of Mariandel in the third act demonstrates a playful confidence, showcasing her ability to navigate the character’s duality.

The cast is further bolstered by Emily Pogorelc as Sophie, whose vibrant energy and emotional range enhance the narrative. Pogorelc’s strong and expressive voice captures both the innocence and strength of her character, particularly during her interactions with Brower’s Octavian.

Conducted by Joana Mallwitz, the orchestral accompaniment reflects the intricate layering of Strauss’s score. Mallwitz’s interpretation maintains momentum throughout the performance, ensuring that the orchestra complements the vocalists without overshadowing them. Highlights include the elegant waltz in the second act and a lush violin solo that captivated the audience.

Overall, the premiere of “Der Rosenkavalier” at Opernhaus Zürich promises a season filled with artistic innovation and emotional resonance. Steier’s engaging direction, coupled with stellar performances from the cast, establishes a high bar for the productions to follow in the coming months.