Opéra Royal Château de Versailles Opens 2025-26 Season with “Theodora”

The Opéra Royal Château de Versailles launched its 2025-26 season on October 6, 2023, with a stunning performance of Händel’s “Theodora.” The event attracted a sold-out audience to the historic Chapelle Royale, where the architecture and acoustics created an unforgettable atmosphere. Originally completed in 1710 during the reign of King Louis XIV, the chapel is renowned for its Gothic design and features a remarkable organ by Clicquot.

The evening began with an electrifying overture led by conductor and lutenist Thomas Dunford, whose vibrant energy captivated the audience. The Ensemble Jupiter Choir and Orchestra complemented the performance, filling the chapel with rich sound and emotion. The interplay of light in the chapel enhanced the experience, illuminating the intricate murals and gilded details that have made the Chapelle Royale a cherished venue for live performances.

The opening aria, featuring the character Valens, set the tone for the evening. Bass Alex Rosen delivered a compelling rendition of “Go, my faithful servant, go,” resonating powerfully within the chapel’s walls. Following this, the Chorus of Heathens joined in with “And draw a blessing down,” showcasing the choir’s impressive vocal prowess and enriching the overall sound.

The performance continued to shine with Hugh Cutting portraying Didymus in Act One, Scene Two. His aria, “The raptur’d soul,” was a highlight, demonstrating both vocal skill and stage presence. Meanwhile, tenor Laurence Kilsby impressed as Septimius with his aria, “Descend, kind pity,” characterized by a bright timbre and solid technique.

Mezzo-soprano Lea Desandre, portraying Theodora, delivered a heart-wrenching performance in her opening aria, “Fond, flatt’ring world, adieu!” Her vocal agility and depth added emotional weight to the role. The chemistry between Desandre and Cutting was palpable, particularly during their duet in Act Two, Scene Five, “To thee, thou glorious son of worth,” which resonated with the audience.

Another standout, mezzo-soprano Avery Amereau, brought depth to the character of Irene. Her arias, “As with rosy steps the morn” and “Defend her Heav’n!” received enthusiastic acclaim, showcasing her unique vocal timbre and dynamic range.

The emotional climax of the evening occurred during Desandre’s aria in Act Two, Scene Two, “Oh! that I on wings could rise,” which captivated listeners with its beauty. Her subsequent performance in Act Three, Scene Two, “When sunk in anguish and despair,” further highlighted her vocal mastery, drawing the audience into Theodora’s turmoil.

As the evening progressed, the emotional weight of the narrative deepened. The final scenes culminated in Irene’s aria, “Ere this, their doom is past,” accompanied by the Chorus of Christians, “O love divine.” Dunford skillfully guided the Ensemble Jupiter Choir and Orchestra to a powerful conclusion, leaving the audience in awe.

The performance of “Theodora” not only marked the opening of the Opéra Royal Château de Versailles’ season but also reaffirmed the venue’s status as a premier location for opera. With its rich history and stunning acoustics, the Chapelle Royale provided the perfect backdrop for a night of exceptional music and artistry. The event was a resounding success, showcasing the talents of both the performers and the timeless work of Händel.