Bone Creek Museum Unveils Renovated Space with Major Exhibition

The Bone Creek Museum of Agrarian Art has officially opened its newly renovated facility, showcasing a significant exhibition titled “La Bergère–Shepherdess” by renowned multimedia artist Lark Gilmer. This exhibition is on display until March 15, 2026, and marks a pivotal moment in the museum’s commitment to becoming a leading center for agrarian art in the United States.

The expanded museum space has been positively received by summer visitors and represents a significant upgrade from the original gallery, which has served the community since 2008. With this renovation, the Bone Creek Museum aims to present exhibitions that meet national standards, enhancing its mission to connect communities to the land through various forms of art.

Exhibition Highlights and Artistic Vision

Supported in part by the Nebraska Arts Council and the Nebraska Cultural Endowment, “La Bergère–Shepherdess” is the inaugural major exhibition in the newly renovated space. It sets a high standard for future programming at the museum. The exhibition features a compelling blend of photography, painting, and installation, through which Lark Gilmer delves into the solitary and elemental existence of a shepherd.

Gilmer’s work captures the raw beauty and enduring resilience of agrarian life, depicting elements such as the relentless wind, devoted dogs, and the rugged terrain that shape this lifestyle. As curator Amanda Guenther stated, “In many ways, Lark embodies the meaning of La Bergère — not only as a protector of her flock but also as a guardian of art and the land.”

The exhibition invites visitors to experience the profound connection between the land and its inhabitants. Gilmer’s unique approach includes integrating her artworks directly into the landscape, allowing nature to influence their transformation. This method not only reflects her deep bond with the environment but also adds layers of meaning to the exhibition.

A Personal Connection to the Land

In her reflections on the exhibition, Gilmer expresses her desire to connect with the land, stating, “I have often felt the pull to connect, and reconnect with the land, torn between duty and calling.” Her work emphasizes a land-based practice that resonates with viewers, allowing them to share in her experiences. “When I am able, I use the camera and when I cannot, I use a brush. They are all lived experiences on the land.”

The emotional depth and artistic caliber of “La Bergère–Shepherdess” position it alongside exhibitions found in major museums across the country. The exhibition serves as a strong affirmation of Bone Creek’s evolving role on the national stage, providing thought-provoking and deeply human narratives that resonate with audiences in Nebraska and beyond.

For more information about the exhibition and the museum, visit www.bonecreek.org. This marks a significant advancement in the museum’s journey, as it seeks to enrich the cultural landscape and foster a deeper understanding of agrarian art.