National Book Award Finalists Discuss New Works and Inspirations

The finalists for the 2025 National Book Award have shared insights into their writing processes, reading habits, and the themes explored in their latest works. This year’s finalists represent a diverse array of voices and stories, showcasing the evolving landscape of literature.

Among the notable voices is Maria Kunetsova, who reflects on her journey in the publishing industry. She recalls the challenges she faced when her debut was met with uncertainty. “It felt like a gamble,” she says, acknowledging the highs and lows that can accompany a career in writing. Kunetsova’s experiences resonate with many emerging authors who navigate the competitive literary market.

In a different vein, Sarah Viren engages in a deep conversation with writer Jen Percy about her memoir that confronts themes of gendered violence. Viren describes her writing as an exploration of vulnerability, stating, “Ultimately, I think I came to understand freezing as both a prison and a superpower.” This duality reflects a broader trend among writers who explore complex emotional landscapes in their works.

As the literary community celebrates new releases, Olivia Laing and other authors debut 23 new titles today. This exciting lineup includes works that delve into personal narratives and historical reflections. Laing’s engagement with cinematic icons like Federico Fellini and Pier Paolo Pasolini highlights the intersection of film and literature, prompting readers to rethink the boundaries of storytelling.

Furthermore, Philip Weinstein examines profound philosophical questions surrounding existence and mortality in his latest work. He suggests that our understanding of life and death often remains elusive, stating, “Who we were, who we are, and who we will be: these are condemned to remain…strangers to each other.” Such reflections contribute to the ongoing discourse about the meaning of life in contemporary literature.

In the realm of fiction, Andrew Ridker addresses the challenges faced by Jewish writers today. He emphasizes the importance of authenticity in storytelling, stressing the need to portray complex characters without fear of misinterpretation. He argues, “The challenge facing Jewish fiction writers today is in telling stories in which Jews behave badly in the name of Judaism — without fear that our work will be used against us or co-opted to nefarious ends.” Ridker’s insights shed light on the nuanced responsibilities that come with cultural representation in literature.

Highlighting the craft of writing, authors like Char Adams and Michelle Carr reflect on their experiences in the Lit Hub Questionnaire. Adams articulates a struggle with impostor syndrome, saying, “I’d gladly take some level of hubris over my impostor syndrome: I’m still not sure if my words are of interest to anybody else.” This sentiment is shared among many writers who grapple with self-doubt while striving to make their voices heard.

In addition to these conversations, the industry continues to grapple with larger issues of representation and justice. Scott Hechinger calls for a reevaluation of editorial practices, emphasizing that “we need editors who see expertise in lived experience, and we need funders who recognize that justice journalism is foundational to democracy.” His remarks highlight the evolving landscape of journalism and its interplay with literature.

As the literary world gears up for the National Book Awards ceremony, these discussions serve as a reminder of the power of storytelling. From memoirs that confront personal trauma to fiction that challenges societal norms, the finalists exemplify a vibrant and dynamic literary community. Readers can look forward to a rich tapestry of narratives that not only entertain but also provoke thought and inspire change.