Jacob Elordi Shines in Guillermo del Toro’s New ‘Frankenstein’ Adaptation

The highly anticipated adaptation of Mary Shelley’s classic novel, “Frankenstein,” directed by Guillermo del Toro, is set to make its theatrical debut on October 17, 2025, followed by a streaming release on November 7, 2025, via Netflix. This film, which premiered at the 2025 Venice Film Festival, showcases a captivating performance by Jacob Elordi, who portrays the reanimated creature at the heart of the story.

Elordi’s interpretation of the monster stands out as a psychologically rich characterization, offering a depth not often seen in previous iterations of the iconic figure. Unlike earlier portrayals that leaned heavily on physicality and minimal dialogue, Elordi’s performance brings an emotional resonance, capturing the essence of a being struggling for identity and acceptance. His embodiment of the creature is marked by a physicality reminiscent of a marionette, reflecting the internal conflict of a character searching for autonomy after being crafted from discarded parts.

Del Toro, known for his visually stunning and thematically intricate films, opts for a gentler approach in this adaptation. While the film includes elements of horror, such as dismembered bodies and grotesque imagery, it focuses more on the emotional landscapes of its characters. The narrative explores themes of creation and the consequences of playing God, echoing Shelley’s original text. The director’s choice to emphasize the monster’s perspective allows for a deeper exploration of what it means to be human.

Elordi’s performance is complemented by a strong supporting cast, including Oscar Isaac as Victor Frankenstein and Mia Goth as Elizabeth Lavenza. The film suggests an Oedipal undertow, as Victor’s fixation on his deceased mother influences his relationships, particularly with Elizabeth, who is portrayed as both a romantic interest and a figure of his past. This dynamic, while intriguing, is not fully fleshed out, leaving some viewers desiring more depth in the character interactions.

The aesthetic of “Frankenstein” showcases del Toro’s commitment to practical effects and traditional filmmaking techniques. The film’s production design, led by Tamara Deverell, is a testament to the artistry involved, with detailed sets and costumes that evoke the Gothic Victorian era. The cinematography by Dan Laustsen further enhances the visual richness, immersing audiences in a world that feels both tactile and alive.

Elordi’s portrayal of the creature culminates in poignant moments, such as a scene where he tenderly interacts with a deer, only for the moment to be shattered by sudden violence. This juxtaposition of beauty and brutality is a hallmark of del Toro’s storytelling style, which often blends the sublime with the grotesque. Critics have noted that while “Frankenstein” is a visually arresting film, it may not fully embrace the darker, more experimental aspects that some viewers associate with del Toro’s earlier works.

Overall, “Frankenstein” serves as both a tribute to Shelley’s original narrative and a reflection of del Toro’s artistic vision. While it may not push the boundaries as far as some might hope, it presents a solid adaptation that keeps the spirit of the classic tale alive. With Elordi at its center, the film promises to resonate with audiences who appreciate a nuanced portrayal of a character often relegated to the role of a mere monster.

As the film prepares for its upcoming release, it stands as a testament to the enduring relevance of Mary Shelley’s work and the continued evolution of its interpretation in modern cinema.